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View of Bøsdalafossur, which flows from Sørvágsvatn (also known as Leitisvatn) lake into the Atlantic ocean, on the island of Vágar, Faroe Islands.

Sørvágsvatn Lake, Faroe Islands - A Travel Guide to Childlike Play

August 03, 2017 in travel photography, landscape photography

There's a wonderful moment in 2012's Hitchcock where Helen Mirren—playing wife Alma Reville—peers at Anthony Hopkins's titular character over a newspaper and pithily announces, 'You shouldn't wait 'til halfway through, kill her off after thirty minutes', referring, of course, to the death of Janet Leigh as false heroine Marion Crane in Psycho. Which is exactly how we felt about our trip to Sørvágsvatn lake on Vágar, in the Faroe Islands. But more on that in a minute.

View looking north on the shore of Sørvágsvatn lake, Vágar, Faroe Islands.

View looking north on the shore of Sørvágsvatn lake, Vágar, Faroe Islands.

*     *     *

Once—when we were teenagers—my now husband got the idea at my parents' acreage to race down fields of wheat stubble that cascade from my childhood home like drapery to find the end of a rainbow that had appeared behind their barn. He knew he'd never find it, but at sixteen wanted to indulge that childhood fantasy we all have—particularly those of my generation who were brought up with Lucky the Leprechaun prancing across their screens during Saturday morning cartoons, or the Skittles slogan 'taste the rainbow'. He ran 'til he reached the point where one inevitably feels sick from effort, then returned to the house panting and happy as a dog from the chase. My mother later told me that this was the moment she knew he was the right boy for her daughter. Because he was far too old to knowingly act like a child but did, while his peers preoccupied themselves with cars and chasing tail, not rainbows.

Well into adulthood, my husband and I were introduced to two guys at a bar by a mutual friend. The introduction was memorable in so far as we'd met before—online. Introductions went  something like this: 'Matty, Jer, this is Adam who you know as Alumirac, and Lesley is Rontu. Matty is Moomatty, Jer is...' Publicly-outted as we were, we laughed awkwardly, peeling back beer labels from sweaty bottles. Later, slightly buzzed and a little less gun-shy, the married couple, mutual friend (David), and Mat returned to our dingy apartment and played WoW—the MMORPG where we'd met—into the wee hours of the night, giggling like school children over a tub of frozen margarita and yet more beers: a years-long friendship was born. And things have been that easy ever since. Because when we get together, we hardly talk shop, or finances, or the doldrums of adulthood, and instead have a consistent history of being mis-identified rowdy teenagers at campgrounds who then quickly become the warden's pets.

The view from our Miðvágur apartment, Vágar, Faroe Islands.

Fast-forward years later, to our 2017 trip to the Faroe Islands. Mat is now married to Kat, David's younger cousin. With Katherine Hepburn's cheek-bones, freckles, and love for the outdoors arising naturally from a childhood spent in rural B.C., she's the perfect pairing for our friend with boyish good-looks and booming laugh that you can hear two rooms over; and they, in turn, are our perfect travel companions. They both have a childlike love for animals, and good portion of our day is spent discussing respective pets back home, how we miss them, what they're likely doing, and the prospect of puffin watching on Mykines despite bad weather. Mat points out an inflatable puffin to his wife in a gift shop (just add water!), knowing full well he'll have to buy it for her. He chuckles that its what you'd get a kid while affectionately handing it to her.

The boy who raced through stubble is sick (fever), so after a morning of bird watching by boat, we settle into our rented second story flat: Mat and Kat go buy the birthday boy supper (what luck, sick when travelling on your birthday), and I amble around empty harbour streets in long arctic light. Mat insists on cooking for the group (because he's JUST THAT NICE); the rest of us relive daydreams from a just-finished trip to Scotland watching Braveheart. A couple of Tylenol for birthday boy, and at ten-to-nine p.m. the urge hits: four adults set out way too late for a hike Sørvágsvatn lake, trailhead unknown.

Highway 11 on Vágar, Faroe Islands, with Sørvágsvatn lake in the background.

We're helped by the presence of a lone car parked off the highway, and what looks like a path diverging from a lambing pen. Quickly, the trail ends, but we know we're on the right track: the sought-after waterfall-into-ocean is a hair's breadth away, on the horizon just out of reach. We hop, skip, jump(!) from rock to dry-patch among mucky bog, farther and farther from the now-muffled sound of sleepy cars on the highway. The lake is like blown glass gently surging from a blower's rod as wind whips off the sea channeled along its surface. Our voices reach an excited pitch as a a truly epic view comes into sight, and we cinch our jackets tighter against the cold. We take risks—climb higher, sit on cliff's edges, pose for photos—as the real world suspends our disbelief that we're mortal, can't respawn.

Kat photographing Bøsdalafossur at sunset, Vágar, Faroe Islands.

Kat photographing Bøsdalafossur at sunset, Vágar, Faroe Islands.

View from Trælanípa (a cliff's edge) toward Sørvágsvatn lake, on Vágar, Faroe Islands.

Germans have a word for the deep, meditative feeling one feels alone in the woods, Waldeinsamkeit, having to do with connectedness to nature. What that fails to encapsulate for me is the way landscape, passing through it, existing in it, does among friends: holds you in commune. How you shrilly call to each other over wind to point to delicate flower, escarpment, incoming weather, the way you shrieked at a hand-caught frog as a child. As a bonafide member of the Peter Pan generation, the sense of childhood play inspired by time spent outdoors seems undersold: that feeling you had when jumping rock-to-rock with your brother playing MarioBros collecting imagined, pixelated mushrooms; or skipping through dunes with your best-friend (ages nine and eleven) in your Arabian fantasy world. Similar but different to when a dance troupe hits synchronicity with a collective flick of the wrist, when a hockey team lines up that killer shot, or when musicians grin at each other over spontaneous but mutually-agreed-upon improvisation. Chasing proverbial rainbows in tandem; hive-mind. 

On the way home, our shared elation begins to lapse: I slip several times in mud and sheep's dung, birthday boy's fever comes back, Mat's fear of heights sets in. The travelling troupe has wearied. In waning twilight, the denouement of our time spent in the Faroe Islands has begun, far too early at one day in. You see, we'd killed our buxom blond prematurely under the purplish setting sun at Sørvágsvatn; the laughed mantra for the rest of the trip was we'd already seen that waterfall billow dramatically to the sea—'impress us!'

View looking southwest toward Trælanípa on Sørvágsvatn lake, Vágar, Faroe Islands.

NOTES

Getting there: Take Highway 11 heading west from Sandavágur toward Sørvágur; park where the road initially meets the lake's shoreline, just prior to a rather sharp northwest turn (pictured above). You will see trail on the opposite side of the highway, which skirts along the side of a lambing pen and small stone structure; Trælanípa will be visible in the distance. Bøsdalafossur is at its base. You can make a nice, approximately 7km loop by hiking from the highway, to the base of Trælanípa, up Trælanípa (which has another great viewpoint), and then back.

 

Tags: sørvágsvatn lake, trælanípa, vágar, faroe islands, leitisvatn lake, bøsdalafossur, hitchcock, alma reville, miðvágur, friendship, travel, Waldeinsamkeit, commune, hiking, travel guide
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The sun rises over the prow of an oruwa (traditional Sri Lankan boat) at Talalla beach, Sri Lanka. 

Talalla Beach, Sri Lanka - The Falsehood of 'Authentic Travel', and Finding Authencity Anyhow

April 19, 2017 in travel photography, portrait photography

View of the length of an oruwa, Talalla South, Sri Lanka.

My first exposure to Sri Lanka, or Sri Lankan culture, long before I knew it as a country, was through Steve McCurry's now iconic photograph of stilt fishermen at work along the country's south coast. Later (in adulthood), my first internet search on where and how to find these fishermen prior to an upcoming trip returned a slew of travellers' chatroom complaints about a 'dying tradition' and 'so-called fishermen' posing as 'tourist props' for tips.

This post is not written in that vein; rather, it is one of two planned blog posts exploring—in so far as one is able to in a blog—the impacts of tourism on a local economy, the moral and political implications of phrases like 'a dying tradition', 'authentic' imagery, and, loosely and with great extrapolation, the fishery in Sri Lanka.

For today's post, I'd like to sketch a series of vignettes before a more in-depth discussion based on my personal experiences in Talalla or Talalla South, following a week-long stay in the growing village in January, 2017.  

*     *     *

Breakfast, Day Three: Two hotel matriarchs micro-manage a young boy setting out tea-service at our table prior to a several course, 'traditional' Sri Lankan breakfast of fresh blended fruit juice, string hoppers, sambol, roti, Sri Lankan omelette, dahl, and green fish curry. One woman, heavily pregnant in a navy and fuchsia sari, and another, in large Jackie-O inspired sunglasses, flowing top, and flip-flops, carefully rotate tea-cup handles to right-angles, rearrange placement of spoons, forks, knives, serviettes, etc., all with mildly restrained eye-rolling immediately following a pock-marked and well-meaning teenager's attempt. Our matriarchs beam radiantly as my husband and I ask for seconds of sambol and dahl to accompany our string hoppers later in the meal.

Portrait of a beach vendor

Mid-morning, Day Four: A lone beach-vendor approaches my husband and I with a grocery bag of mixed varnished and natural seashells for sale as we down the juice of freshly-sliced coconuts through black plastic straws. Having no cash (due to the coconut purchases) we request to meet late in the afternoon. During a meal of shell-on chilli, garlic, and butter prawns, I run to meet the passing man, who walks with a limp and cane, cash-in hand. He is more than pleased I've tracked him down, and smiles warmly as I take his portrait.

Early-morning, Day Six: Our now-frequented coconut vendor outlines his last night's activities. After watching several dreadlocked and tie-dye bedecked European families huddled in an evening downpour, he entreats them to take shelter on the raw-hewn plank floor of his open-air restaurant. He is bewildered that parents would travel without prearranged accommodation—all available rooms in the village were full the night before.

Sunset, Day Seven: First two, then four, then a dozen villagers set a net using an oruwa around the bay. At first tourists (myself included) watch and take the odd photo; then, at broad-grinned invitation, they join the villagers in the half-hour long and highly physical net-gathering that follows. Several French children with sun-bleached hair scrutinize the two-dozen or so fish flopping around in the net, while short-of-breath adults of varying nationalities exchange pleasantries with locals and one another.   

*     *     *

Fisherman hauling nets at Talalla Beach, Sri Lanka.

Talalla, as these events make clear, is a community in transition; the sort of community that chat-room naysayers would laud for its 'authenticity' in its current state, but in ten to fifteen years will fault for having been 'overdeveloped', becoming 'Westernized'. It is the sort of paradise ill-slept and bedraggled backpackers plod to to taste the idyllic, like their fictional predecessors Richard and Etienne in Alex Garland's The Beach, waxing poetic on the restaurant owner's 'righteous' generosity while ignoring his overarching concern for their and their childrens' safety. It's the sort of place with one, not numerous, beach seller(s) to elicit avoided eye-contact and near-silent muttering from sunbathers, who lacks the aggressive sales pitch and heavy-laiden coat-doubling-as-display-case of others of his kind elsewhere. The type of bay where net-fishing as a community with  'traditional' boats still occurs. The hallmarks of impending development—like a 'traditional' breakfast served amid a lush green canopy with WIFI access—would be overlooked (all be it temporarily) due to its 'genuine' (another chatroom synonym) nature.

Don't get me wrong, Talalla is a veritable paradise for all the reasons listed above: no overly tattooed bohemian was robbed of cell-phone or iPad during their one-nighter, and it was touching watching people with different mother-tongues and backgrounds bond over hard labour. But I cannot get behind a stance toward travel that would deny our business-savvy hotel operators their chance to create an inheritance for their children, or fault the hawker who spends all day beach walking for a hard-sell. At best, this attitude essentializes culture; at worst, harkens the 'noble savage' trope and denies the fruits of modernization to 'Others'. Let's unpack it in a familiar context, at least to me anyway: though I'm happy the farming community I come from still has its wooden grain elevator, I would never ask Western Canadian farmers to return to, or continue using, horse-drawn plow or scythe. It's dehumanizing to ask a group of people to remain in some simulacrum of the past to actualize one's holiday whimsy.

'Authenticity', as David Sze rightly points out, has its roots in a particular understanding of what culture is and the myth of purity tied to 'traditional' praxis. It is a static view of culture that assumes sought-after lab-like sterility, something he says years of anthropological and sociological training have made him suspicious of; 'continuity in change' and 'change in continuity' was an oft-cited phrase in my similar ethnohistorical training. What's meant by that is readily explained with our breakfast trio: one woman in 'traditional' dress accompanied by another in modern clothing laid out 'traditional' Sri Lankan foods including pol sambol (which may have Indonesian origins), string hoppers (possibly of Indian origin), with tea served in a decidedly British colonial tea-service (china, little spoons) while henpecking a teenaged boy (Sri Lanka is historically patriarchal). As Sze argues, there are no spatial or temporal boundaries around a culture—hybridity and constructions of difference have arisen from human interaction the world over. Instead, what's important in the above example, is how proud those women were to present an aspect of their culture as they define it, and how they are remolding their community's image and economy to their liking.

The blight of these discussions of 'dying tradition' and 'authenticity' is that their initiators miss out what's truly authentic right in front of them: people going about their day-to-day efforts to make a living—like running a small hotel, selling wares on a beach, or fishing.

*     *     *  

**NEXT UP: Meeting the Sri Lankan fishery where it currently stands through pictures.

NOTES

Good eats: Watch these intrepid ladies at work and have breakfast overlooking the beach at the Secret Bay Hotel—it is just as delicious and decadent as it sounds. Make sure to pre-order your Sri Lankan feast a day ahead: string hoppers are an overnight affair. Just down from the Hotel where the road meets the beach is perfect lunch spot: enjoy a plate of shrimp and a Lion al fresco. A short walk down the beach and you'll find our friendly coconut vendor (the name of his establishment escapes me). Treat yourself to an ice-cold coke instead if coconuts aren't your thing.

The prow of an oruwa, Talalla Beach, Sri Lanka.

Tags: talalla, talalla south, talalla beach, oruwa, Steve McCurry, stilt fishermen, sri lanka, breakfast, Secret Bay Hotel, tradition, traditional, beach vendor, tea service, The Beach, string hoppers, sambol, authentic, authentic travel, travel, travel blogger, photography, photographer, photography blog
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